The Warlord of the Air is an entertaining steampunk adventure with a unique time travel premise, exploring themes of imperialism and anti-racism. While the story is engaging and thought-provoking, the rushed ending and caricatured characters slightly detract from its overall impact.
The Warlord of the Air by Michael Moorcock is a captivating steampunk novel that follows the adventures of Oswald Bastable, a Victorian captain who finds himself in an alternate 1973. The story is set in a world where imperialism is still prevalent, and technology is steam-powered. Bastable's journey is both physical and ideological as he grapples with the realities of a utopian empire that masks deep-seated racism and oppression. The novel is packed with action and intriguing ideas, making it a highly entertaining read. However, the ending feels rushed, and some characters are somewhat caricatured, which slightly diminishes the overall impact. Despite these minor flaws, the book is a must-read for steampunk enthusiasts and those interested in the genre's history. The themes of anti-imperialism and anti-racism are well-expressed, even if they are simplistically handled. The unique time travel premise adds a fresh perspective to the steampunk genre, making it a valuable addition to any steampunk library.
Quick quotes
In this London there were no ugly billboards, no illuminated advertisements, no tasteless slogans and, as we climbed into the steam-brougham and began to move along one of the ramps, I realised that there were no seedy slums of the sort found in many parts of the London I had known in 1902. Poverty had been banished! Disease had been exiled! Misery must surely be unkown!
The desperation of Bastable’s bizarre fate runs deep, for an unpredictable time warp thrusts him into strange worlds, all parallel to his own, and yet different.
The trilogy has been collected in a one volume edition, which has finally, been given a cool cover.