The Devil in the White City is a gripping nonfiction book that masterfully blends history and entertainment, with some reviewers praising its dramatic narrative and others criticizing its pacing and focus. The book juxtaposes the grandeur of the 1893 Chicago World's Fair with the horrific crimes of H.H. Holmes, America's first serial killer, offering a compelling exploration of the duality of human nature and the era's societal changes.
The Devil in the White City by Erik Larson has received a mix of rave and pan reviews. Praised for its dramatic narrative and the skillful fusion of history and entertainment, the book tells the parallel stories of Daniel H. Burnham, the architect of the 1893 Chicago World's Fair, and H.H. Holmes, a notorious serial killer. Reviewers appreciate Larson's ability to create a novel-like effect with historical facts, highlighting the fair's cultural significance and Holmes' chilling crimes. However, some critics find the pacing uneven and the connection between the two narratives forced, suggesting that the book tries to do too much. Despite these criticisms, the book is celebrated for its gripping drama and the author's talent for storytelling. The overall sentiment is that while the book has its flaws, it offers a fascinating and thought-provoking exploration of a pivotal moment in American history.
Quick quotes
Larson relentlessly fuses history and entertainment to give this nonfiction book the dramatic effect of a novel, complete with abundant cross-cutting and foreshadowing.
He has added his own imaginative touches and sometimes goes farther than the sources warrant.
Larson is a talented writer with a gift for surprising language, and an admirable impulse to show and not tell.
an earnest if overheated book that falls considerably short of its self-evidently large ambitions.
Larson mixes two stories that simply aren't related. The result is a synthetic blend that doesn't do justice to either.
In his probing of the 1893 Chicago World's Fair — the White City — Larson juxtaposes the positive and negative elements of the approaching 20th century.
Gripping drama, captured with a reporter’s nose for a good story and a novelist’s flair for telling it.