Death in Venice and Other Tales

Death in Venice and Other Tales cover
Good Books rating 4.0
Technical
  • ID: 5699
  • Added: 2025-10-24
  • Updated: 2025-12-31
  • Formats: 2
  • Reviews: 2
Reviews
literatureadjacentdotcom.wordpress.com · Unknown · 2016-03-09
unsettling 3.50

The book is deeply unpleasant but also captivating, with lyrical prose and a disturbing central subject matter. It captures the descent into unreality and the horror of a man's disintegration, reframing revulsion into revelation. The atmosphere of rot and the beautiful writing make it a thought-provoking read, though not necessarily a pleasant one.

The book is a complex and unsettling read, with a deeply unpleasant central subject matter that is both repulsive and strangely entrancing. The prose is lyrical and ornate, capturing the beauty and rot of the story's atmosphere. The central character's obsession with a teenage boy is disturbing, but the book's strength lies in its portrayal of the character's internal collapse and the uncanny descent into unreality. The ending reframes the revulsion into a revelation, showing the man's delusions and his crumbling into myth. The book is not easy to love, but it is thought-provoking and leaves a lasting impression. The beautiful writing and the atmosphere of rot make it a captivating read, though it is not for the faint of heart.


Quick quotes

    I found this book deeply unpleasant — and strangely entrancing.

    The central subject matter, however — an aging writer developing an obsessive fixation on a teenage boy — is less tragic than it is repulsive.

    The ending doesn’t excuse the disturbing elements, but it reframes them. It turns revulsion into revelation — showing us not a noble artist destroyed by passion, but a man hollowed out by his own delusions, crumbling into myth.

biblio.co.uk · Unknown · 1999-05-01
brilliant 4.50

The reviewer initially dislikes short stories but finds Thomas Mann's 'Death in Venice and Other Tales' to be an exception. They praise Mann's tight style, unique subjects, and emotional honesty, highlighting 'Death in Venice' as a masterpiece that transcends its controversial subject matter.

The reviewer begins by expressing their general dislike for short stories, preferring the depth and character development of novels. However, they make an exception for Thomas Mann's 'Death in Venice and Other Tales', praising his tight and efficient writing style that rivals the likes of Faulkner and Woolf. The reviewer appreciates Mann's unique subjects, which often delve into the complexities of love and the struggles of artists. They particularly highlight the emotional honesty and intimacy in stories like 'Tonio Kroger' and 'The Starvlings', where Mann allows his characters to be fully realized and three-dimensional. The reviewer also commends Mann's ability to tackle strange and controversial subjects, such as in 'Death in Venice', where he transforms a potentially disturbing story into a profound exploration of death, lost youth, and human nature. Overall, the reviewer finds Mann's work to be a masterful blend of art and life, offering a deep and honest portrayal of the human condition.


Quick quotes

    His style is one of the tightest I’ve ever read. He’s got the beauty of Faulkner, the music of Woolf, the cleverness of Updike, and even the precision of Flaubert, while transcending them all to give us an honestly emotional and intense depiction on the human story thereby lifting the art form to another level.

    His intimacy with us and the honesty in which he describes emotions is evident in the stories Tonio Kroger, Death in Venice, and The Starvlings.

    Death in Venice' is one of the best short stories ever written because when you take such a fine and precise and beautiful voice such as Mann’s and match it with story of the longing for lost beauty and innocence, you show us one of the oldest stories in our history.

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