The novel portrays a confusing, somewhat denuded Shanghai lacking in Chinese presence and historical depth, with suspense and the city's complex character falling short.
Paul French critiques Kanon's depiction of Shanghai as stripped down and confusing, missing the rich east-west fusion and social contrasts typical of the real 1930s city. He finds the historical background sparse and the suspense lacking compared to Kanon's earlier works. French points out that while the book includes real and fictional locales, it does not adequately evoke the city's complex political and cultural history nor its tense wartime atmosphere. Overall, he suggests the novel falls short of delivering the layered historical and suspenseful narrative readers might expect.
Quick quotes
Kanon’s Shanghai feels like a strangely denuded and confusing city, mostly devoid of Chinese.
The east-west fusion of Shanghai, its cheek-by-jowl of wealth and poverty, fails to gel.
Readers seeking a tale of the Shanghai Ghetto will also find historical information sparse in the novel.